by Mel Hubahib Loja

I don’t suppose you’ll let me in? All I’m saying is, it would be a lot easier to have this conversation indoors than yelling through the intercom.

No? Well I don’t blame you. Trust is in short supply these days. Among other things.

by Christine V. Lao

Christine V. Lao with her book, “Affidavit of Loss”

In the Philippines, as elsewhere, genre fiction has long had to prove its worth. Often overlooked by academic and literary spaces and dismissed as less serious than realist writing, these stories have thrived in communities—online forums, book and fan clubs, and popular magazines—where writers create for the love of imagining, and readers seek worlds that challenge, delight, or surprise.

The above image was downloaded from Freepik with a free license. The image was created by Pikisuperstar.

The Year of the Fire Horse (2026) is nearly upon us as we shed the last bits of skin from the Year of the Wood Snake (2025). The older I get, the more aware I am of the cycle of years. The decades have piled on and, taken as a whole, is a burden most heavy and overwhelming. To avoid such weight, discipline is needed in approaching the three tenses we exist in: the past, which provides the memories from which we learn and grow; the future, unknown and so easy to find despair in, and therefore must be faced with hope and determination if we are to go on; and the present, as in living as wholly as possible in it, and taken in moments, in scenes, in chapters.  

In stories. 

We are the stories we tell ourselves and each other. 

Eliza Victoria is an award-winning author writing horror, science fiction, fantasy, and everything in between. Her latest novel is Ascension, published by Penguin Random House Southeast Asia in 2024. Her other titles include Dwellers, which won the Philippine National Book Award for Best Novel; Wounded Little Gods; After Lambana (with artist Mervin Malonzo); Nightfall; Seventeen Prayers to the Many-Eyed Mother; and What Comes After. She has had stories and poetry published in various venues since 2007, most recently in The Best Asian Speculative Fiction, The Apex Book of World SF, Future SF, Multispecies Cities, and Asian Literature Project. She has won prizes in the Philippines’ top literary awards, including the Carlos Palanca Memorial Awards for Literature and the National Book Award. You can visit her at elizavictoria.com.

by Eliza Victoria

Image by Maurice Engelen on Pexels. (All photos and videos on Pexels can be downloaded and used for free).

Before Teresa saw the woman in white, she was focused on converting the temperature from Fahrenheit to Celsius, wondering how much trouble she was in now. The sudden snowstorm had downed airplanes, stranded passengers, and killed people, but the Viejos still decided to gather outdoors in this horrible weather. One of the cousins was going to be proposed to, and the family was out in force, complete with electric lanterns, a bouquet of wildflowers, a Spotify playlist, and nephews hiding in the bushes with cameras to capture the magical moment. She tried to focus and advised an uncle, who was also Filipino but weirdly anti-immigrant, which Ed Sheeran song to play to celebrate her cousin’s engagement.